This album contains songs Tom Waits wrote and performed for the stage production of THE BLACK RIDER directed by Robert Wilson and written by William Burroughs.
THE BLACK RIDER contains Waits' versions of the songs he wrote for the Robert ... Full DescriptionWilson play of the same name. Wilson has worked with everyone from Philip Glass to Lou Reed, so he's just the kind of left-of-center visionary to accommodate Waits' offbeat musical style. From NIGHTHAWKS AT THE DINER to FRANK'S WILD YEARS, Waits has always been a concept man, and you don't get more conceptual than supplying songs for this semi-mythological narrative of passion and death.
THE BLACK RIDER is somewhat similar in style to the twisted cabaret/blues of Waits' mid-80s work, but with a pronounced European artsong flavor. Accordingly, Waits is accompanied by a mix of his U.S. cronies (Joe Gore, Greg Cohen, etc.) and the musicians from the original BLACK RIDER production. The presence of William Burroughs as lyricist on a couple of tunes represents the closing of a circle that includes the heavy influence of the '50s beat writers on Waits' early work. Less visceral and more cerebral then Waits' previous work, BLACK RIDER is nevertheless full of masterful compositions and inventive, idiosyncratic arrangements.
Recorded at Prairie Sun Recording Studios, Cotati, California and Music Factory, Hamburg, Germany. Includes liner notes by Tom Waits.
Personnel: Tom Waits (vocals, organ, keyboards, marimba, calliope, percussion); Wiliam Burroughs (vocals); Greg Cohen (various instruments); Joe Gore (guitar, banjo); Henning Stoll (viola, bassoon); Linda Deluca, Gerd Bessler (viola); Matt Brubeck (cello); Volker Hemken (clarinet); Ralph Carney (bass clarinet, saxophone); Larry Rhodes (bassoon); Nick Phelps (French horn); Kevin Porter (trombone); Hans-Jorn Braudenberg, Francis Thumm (organ); Bill Douglas, Stefan Schafer (bass); Kenny Wollesen (percussion, marimba); Don Neely (musical saw); Kathleen Brennan, Clive Butters, Joe Marquez (boots).